The kiosk exists
A person leaves the country, waits for the exit to register, then returns with a new stamp.
VISARUN
A public poem turns a border waiting zone into a virtual ritual.
At some borders, people can briefly leave a country without fully entering the next one. They wait until the exit is registered, receive a stamp, and return so their temporary stay can continue. VISARUN enters that pause through a poem painted on the wall of a real kiosk.
What is a visa run?
Leave. Wait. Return. Read the wall.
A visa run is a ritual of temporary legality. When a permitted stay is about to expire, a person leaves the country, receives an exit stamp, waits long enough for the system to register it, and comes back with another stamp.
At Sremska Rača, between Serbia and Bosnia and Herzegovina, that waiting can happen in the narrow space between two checkpoints. The real wait may last only 15 or 20 minutes, but for people who repeat it every month, the place becomes a measure of time.
VISARUN turns this pause into an immersive VR documentary. The visitor does not receive a lecture about migration. They follow a poem: first through objects, then through witness figures, then through papers, stamps, photographs, and texts scattered around the island.
Trailer
A border routine, cracked open by a poem.
A first look at the documentary island built from a real visa-run waiting zone, where a wall inscription becomes the structure of the experience.
Personal origin
The project began by reading the wall while waiting.
VISARUN grew out of Georgy Molodtsov's repeated visits to this waiting zone, where families, artists, IT workers, students, and strangers briefly leave Serbia so their stay can continue.
The poem on the kiosk changed the place. What could have remained a bureaucratic pause became a message addressed directly to those who keep returning: funny, tired, tender, and painfully precise.
The poem on the kiosk
Artist and poet Ivan “Neudalimo” Pezikov left a poem on the wall of the real kiosk. VISARUN begins by reading it line by line through objects connected to border routine, waiting, family, warmth, and return.
Ivan “Neudalimo” Pezikov
The poem does not explain the border. It speaks from inside the absurd routine: the official word “tourism”, the compressed month, the impossibility of return, the instruction to smoke and go back. In the first chapter, five objects reveal its five lines, turning the wall text into a ritual of recognition.
Здравствуйте, любитель туризма!
Скомканный месяц, правда?
Кажется, мы пока невозвратны.
Ладно, ну раз уж явился,
Кури и иди обратно
Experience
The wall text becomes a route through the world.
First, the visitor arrives under a burning summer sun. The kiosk offers shade. Five objects are waiting there: a bag, a calendar, a toy train, a thermos, and cigarettes. Each one unlocks a line of the poem and turns an everyday object into evidence.
Then the same place returns as a storm. Five figures stand in the rain, each carrying a story that circles back to the poem, the booth, and the strange intimacy of meeting other people inside the same administrative loop.
Finally, the island shifts into autumn evening. White registration papers and passport stamps move through the air. On the ground are photographs of people, including the authors, who have stood by this wall. Around the perimeter, short texts explain the situation without interrupting the experience.
Chapter 1The poem revealed through five objects
Chapter 2Five witness figures in the storm
Chapter 3Documents, stamps, photographs, context
Historical context
A real border ritual, transformed into an island.
The real site is a narrow waiting area at Sremska Rača, where people can wait long enough for an exit from Serbia to be registered before returning.
The K67 kiosk was designed in 1966 by Slovenian architect Sasa J. Machtig for socialist Yugoslavia as a modular public structure for cafes, market stalls, newsstands, and everyday services.
Today this abandoned unit stands between Serbia and Bosnia and Herzegovina. It shelters people for a few minutes at a time: from heat, rain, exhaust, uncertainty, and the awkwardness of explaining why they have come to the border again.
For many visa runners, the route is practical: leave, wait, return. But the repetition changes the place. Stickers, ads, phone numbers, photographs, and the poem turn the kiosk into a noticeboard, a landmark, and a small archive of temporary lives.
The wall speaks
The wall inscription gives the routine a voice, and turns the waiting place into a shared marker.
The context stays optional
The world includes concise texts about visa runs, Sremska Rača, K67, and the monthly return.
Gallery
The VRChat world moves through the emotional states of one ritual: summer heat, storm, evening light, documents, memories, and traces of other visitors.
Living archive
The poem continued outside the project.
Before VISARUN became a VRChat world, people were already returning to the wall, photographing the poem, thanking the unknown author, and marking their own visa-run cycles. In the world, these public traces appear as photographs on the ground and fragments of a shared archive.
ivan_neudalimo · May 26, 2024
You can apply for a residence permit, or you can visit the kitty every month on a visa run. Serbia, Sremska Raca, border control. #neudalimoOpen original post
Olga
This place became symbolic for me, a new point of reference. Once a month we walk there to read it again, and every time the inscription echoes what has accumulated over the month.
Whoever you are, thank you ❤️ #neudalimo
Open Instagram post
A little poetry, #neudalimo, on the border between Serbia and Bosnia and Herzegovina. The legendary abandoned burger stand, the Booth of Pilgrimage.
Open Instagram post First visa run
First visa run in my life. It had to be captured and left here. #neudalimo
Open Instagram post First cycle
Today I went on my first visa run.
Cold. A little sad.
But it seems we are still not returnable.
Team
Georgy Molodtsov
Filmmaker, producer, curator, and creative technologist working across documentary cinema, immersive media, and spatial computing. Founder of Film XR, with projects and programmes presented at Venice Immersive, SXSW, Cannes XR, NewImages, and Raindance Immersive.
Ivan “Neudalimo” Pezikov
Ivan Pezikov, working as #неудалимо / #neudalimo, is a poet and artist who writes his own poems into public space as graffiti. The pseudonym means “cannot be deleted.” His practice connects poetry readings, public interventions, the Homecoming immersive art exhibition in Yerevan, and the Film Text Laboratory at Kinoproba Film Festival.
Mikun Hatsune
VRChat World Developer. VRChat RU Localization Lead-Translator and Proofreader, professional VRChat avatar maker, Senior Node.js Developer, Junior C#.
Gauss implementation, translation of scanned documentary locations into an interactive multiplayer world, composition, image and audio visualization, technical execution.
VVARP
Creative technology studio working across augmented reality, visual effects, interactive installations, and spatial computing. VVARP develops immersive experiences for exhibitions, public events, and online platforms, combining technical production with creative direction.
The studio works with Unity, VRChat SDK, Unreal Engine, Gaussian Splatting, and real-time interactive systems. VISARUN world production: Golyshkin Pavel and Oborozhniy Danil.
Contact
Enter the island between two stamps.
Experience VISARUN online, book the immersive installation format, or contact Film XR for festival and exhibition presentations.